A woman in love, frustrated by every circumstance, stops at nothing to achieve her desire.
A restaurant. The patrons are in evening clothes, the waiters formal. There is no music, only the soft sound of voices in conversation. Michaela, elegant in a black dress, participates in one such conversation.
We can't hear what's being said but the atmosphere is happy, polite. Her husband presides with an easy charm. Over her shoulder we see the couple they are dining with, Philip and his wife. Philip's eyes are toward the other two, perhaps carefully so.
Michaela is absorbed in the general conversation, self-forgetful, but she too is restraining her gaze. When it does rest on him it is with a gaiety that seems a touch contrived.
She gets up and walks away, pausing to greet friends at another table. As her husband and the younger woman continue chatting Philip permits himself a discreet but lingering glance at Michaela. She is several yards away in profile, smiling, nodding.
Suddenly, absurdly, she is naked. She stands there talking with someone, in heels and necklace, tiny purse in hand, oblivious to her nudity, as are those around her. This is Philip's fantasy.
But now, even more absurdly, she does notice! She looks down at herself, shocked. The others don't see.
She does not convulse and cover herself but stands her ground, purse lifted in her hand, and glances at Philip—too briefly to be eloquent, but sharply: he looks away mortified.
Instantly she is dressed again and, taking leave of her friends, she proceeds to the bathroom....
Michaela has reached a certain age, and worries about her beauty—but Philip, her husband’s business associate, is mad about her. And she about him: lightening has struck.
They do everything they can to meet but are constantly frustrated—each episode an assault on her dignity.
He's not a bad husband; she loves him. And his passion for her is keen, so keen that he can tell something, or someone, is on her mind, and watches even as the lovers try to elude his eye.
So does Philip's wife. He's starting to disappear at odd times. In fact she's sure there was a stranger in their bedroom while she was asleep. Did someone reach the balcony from the street outside and—?
As Michaela climbs a steep street past Philip's apartment, where the balconies hover near the steps, her friend hails her from up high—from where she spies down at the other couple. That night she steals down and steps over onto the balcony—
And the co-star is Athens, the only place this story could happen.
Every opportunity, every chance meeting, every frustration is a piece of Athenian realty.
Always elegant, always in a little black dress and heels, she hangs from balconies, climbs cliffs, crosses deserts, clings between moving taxis—but her dignity prevails, and the sound of her steps as she threads the Athens labyrinth is the music of the film.
Pretentious Pictures presents a short romantic comedy without much dialogue.